Almost Nothing: Faculty Exhibit


The “Almost Nothing” exhibit by Nicoletta Salomon opened on Thursday, June 3, 2021, at 6 pm in Via Ricasoli 21, and showcased 23 contemporary art pieces.

The artworks were exhibited at the Corridoio Fiorentino, which collects, preserves, exhibits, and showcases artwork by AUF students/faculty and professional artists. Nicoletta Salomon is a writer, painter, and faculty member of writing and fine arts at AUF. Salomon said that art is a way of life and a way for her to communicate with others. Her canvases and paintings depict her thoughts, emotions, and memories. Salomon created her pieces for the exhibit during COVID-19, and they represent her thoughts and feelings from that time spent in isolation. Her main inspiration for this project was the silence experienced during the pandemic’s lockdowns and limited interaction with others.Though she is used to working from home in her home studio, Salomon shares that this experience was different. She was deeply affected by the silence around her, and concentrated on the feeling of stillness. The sense of solitude was not physical because she had her family with her, but rather, it was a spiritual solitude to which she eventually became accustomed. She is unsure of whether enjoyment can be located at all within the experience, but she definitely became accustomed to it out of necessity. Salomon’s depiction of inner silence and the feelings associated with are evident throughout the exhibit. The absence of stimuli changed her perspective on her art and taught her how to concentrate more on her inner self.The background to these paintings is lighter than her usual darkness, and the colors used are more subdued – there is a calmer, quieter sense to them, making them lighter overall. She chose to combine this lighter palette with unprimed linen to eliminate the duality between color and canvas, for them to be one unified element. "I didn't want my canvas to be just a supporting[base], something that passively bears the colors," said Salomon.The works could be interpreted as landscapes. Salomon used squares and horizontal lines, with a frontal perspective of air and water in them. They don't touch, but instead, they float in proximity to each other. This certainly not the only interpretation, and the works can be seen figuratively or non-figuratively. She enjoys how her painting can be read differently by each person.Her feelings toward the solitude experienced while creating these paintings can also be seen in the brushstrokes on the canvas. There is a movement to her brushstrokes that is varied and shows that they are not peaceful. They sometimes show quiet movement, at other times they are rushed. What emerges is her changing relationship with solitude during the pandemic, and the peace and struggles she faced.

The title "Almost Nothing" refers to how Salomon stripped the paintings down to their bones.
This project allowed her to experience painting with a limited palette and a bare canvas, and the
name refers to the creative process rather than the outcome.
Though the thoughts and emotions portrayed in these works of art are her own from the
lockdown, Salomon’s overall message for exhibit viewers is the "freedom to project their own
views and emotions" onto her paintings.
The exhibit can also be viewed online at the Corridoio Fiorentino digital gallery.

By Cristina Gallè - Journalism Student at Humber College, Canada

AUF Course: Special Project: Experiential Learning in Journalism - Iconic Florence Remote Learning Student - Summer 2021

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